Suzanne explores a masterpiece which is 'like being knocked out' – a cri de coeur about downtrodden youth, devastating tragedy and the tyranny of class. But Ken Loach's Kes is also a dream of escape, wondrous lyrical beauty and the call of the wild. And what of A Kestrel for a Knave, the film's source novel, and its revered author Barry Hines? What do they tell us about how a story rooted in South Yorkshire working-class experience, once told in print and film, gave a whole community their voice and also reached universal resonance?
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