
Suzanne and Muriel examine a series of very different things – from a film to a kitchen utensil, a model train to a bar of soap – that define British or French attitudes, each explaining her cultural background to the other and trying to get to the essence of what makes the British British and the French French.
Camus’s terse 1942 novel about an enigmatic killing won the Nobel prize for Literature in 1957. It is entrenched as a French literary classic and as a gateway to Philosophy in French schools. But what, asks Muriel, do the book and its recent film adaptation by François Ozon tell us about morality, j...